AMERICAN AND FOREIGN PAINTINGS 


UNRESTRICTED PUBLIC SALE 


BY ORDER OF 


ATTORNEYS, ESTATES AND PRIVATE OWNERS 


AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH 
NEW YORK 


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| Combination Picture Sale. 
| (Continued from last week) 


At the second and last session of the sale 
of modern paintings by American and For- 
eign artists, from the colfection of the late 
Mr. Philip Van Volkenburgh and others, 
on March 9, in the American Art Galleries, 
79 pictures were sold by Mr. Thomas E, 
Kirby for $34,030, making a total of $39,- 
447.50 for the two sessions. 

For “Shepherd and Sheep—Holland,” a 
watercolor by Mauve, Knoedler & Co. paid 
$6,200, the highest price of the sale. “A 
Russian Courier,” by Schreyer, was secured 
by Otto Bernet, agent, for $4,000, the sec- 
ond highest figure of the evening. De 
Neuville’s “French Cavalry Soldiers” which 
brought $6,000 in the Morgan sale, went to 
the Holland Art Galleries for $3,000. 

“The Croquet Party,” by Kaemmerer, 
which originally cost the late A. T. Stewart 
$4,000 and which was sold later in the Ste- 
wart sale for $2,400 to Judge Hilton, sold 
to Mr. A. P. Gardiner for $270. Other sales 
of $100 or over with titles of pictures, sizes, 
height and the width, names of buyers and 
prices obtained follow: 

Michetti, F., ‘‘Gathering Flowers’ (Panel), 


ALO taee cts. AKT, Tees cuvnseees 120.00 
Detaille, E., “The News,” 8%4x6%, B. : 

TAG REIT) Gols «So er ee 300.00 
Rouget, Georges, ‘Portrait of J. L. David,” 

9%x7%, Bie lE oy DOAAVENtUTE sc 6.. ee ceses 290.00 
Bouguereau, m.,, “Blowing Bubbles” 

10%x8%, LIP BEC a ere 350.00 
Detaille, E., “‘A French Hussar’ (Panel), 

(Panel), 10%x8%, H. Williams......... 575.00 
Frere, E., “The Christmas Drum” (Panel), 


103%4x83%, V. E, Edwards ........ Maier eats 
Gros, Baron Antoine, ‘Field Marshall of the 
Empire, 11x74, i 
Inness, George, ‘‘Landscape,” 6x11, O. Ber- 


net, Agt. ...... PUbagle deca nina =a) se aes Mee sia 105.00 
Kowalski, A. Wierak, ‘‘Hare Hunting’’ 
CPanel) i2%4xl4, GB. Thomas........-. 270.00 
Mauve, Anton, ‘‘The Wood Gatherer,” 12x 
16, M. Baoedter S& Coj.. 52+. seve ess sss 1,700.00 
Vollon, Antoine, “Quai De Bercy’? (Panel), 
posto CNAs OAs So Athocy cslececayecsees 270.00 
Rico, Martin, “View in Venice’ (Panel), 
7iaxtoy4,. D1, Wnoedier & Co..sescesees 340.00 
Zamacois, E., “‘Easy Labor,” 15%x10, John 
SC ASUITE. oun) Sus NSE aie aie als. 0 weld v6.06 180.00 
Mauve Anton, “Shepherd and Flock” (water- 
Colors tixis, osmnoedier & Co..cccsaeee 1,200.00 


Barbudo-Sanchez, Salvador, “The Marriage 
Contract”’ (Panel), 12x21, A. Deutsch.... 170.00 
De La Pena, Diaz Narciso, ‘‘Wood Interior” 


Sim goed 17x12%, H. Williams.......... 285.00 
School o Mignar , “The Duchess De Maine” 

(Oval), 153%4x12%, D. Wilckes.......... 180.00 
School of Mignard, “The Duchess of Bour- 


ogne” (Oval), 154x12%, D. Wilckes... 180.00 
Johnson, Eastman, “‘Nest Hunting” (Mill- 

board), 15%4x13, B. D. Edwards......... 150.00 
Inness, George, “Geneva,” 1234x20%, O. 

Ile WIGLG. Gh ig ep i a 525.00 


j. Schmonsees ...... Ratio ais 3 a5 6 Rea sceieas 120.00 


Anastasi, August, “Evening” (Panel), 11x21, 


« PHOMAS ... 2c eee evesecssecns ne eae 320,00 
Hawkins, L. W., “Shepherdess,” 19%4x13%, 
MGI MIRCCEIMANIN s ssisce ss vic tye base neo sees 200.00 
Brown, J. G,, “Pitching Pennies” (Panel), 
Picco. tic RWS: 5 seis wes ONG Veo. vlalece 550.00 
Ochtman, Leonard, “Autumn Sunshine,” 
exces Weert, McDonald»... .k acess eee 130.00 
Brown, J. G., “Puzzled,” 24x17%, H. 
By REA ERTES MMe cog Ach pia Via sia a'a0 89 De acho 350.00 
De Nouy, J., “The Sentinel,” 21x13, B. 
PEAR en gnl sien esis bonevia ea > 00 ns Watetcules 120,00 
Boughton, George, “‘Sunday Service of Puri- 
tan Scouts,” 181%4x21%, B. Thomas...... 260.00 
Breton, a “At the Fountain,” 21x16, 
B. D,_ Edwards .....ssceesevessseessees 875.00 
Dupre, Julien, “The Sheep and Cow Girl,” 
(18%4x21%4’, H. Lowenstein.........-.-.. 150.00 
Rico, Martin, “River Scene,” 15x26%, H 
PRU TUG EER et oio ce. sos ale. wa avers, siieiele in e'6 #0. 500.00 
Van Marcke, Emile, ‘‘Cattle,’? 19x26, Miss 
(SL (unde TON oV 3 Sel SAE on ee eee 1,500.00 
McCord, George, “Autumn _ Landscape” 


(Watercolor), 17%4x29%4, W. G. Baker, Jr. 105.00 
Waugh, Frederick, “Open Sea,” 18%4x30%, 

H. Williams ....--. sees ee renee eeereees 150.00 
Irving, J. Baufain, “Cardinal Wolsey and 

Friends,” 21x27, B, Thomas........+.-. 1,525.00 
De Neuville, Alphonse, “French Cavalry 

Soldiers,” 24x20, Holland Art Galleries... 3,000.00 
Schreyer, Adolf, “A Russian Courier,” 27x 

22%4, O. Bernet, Agt. ........ oot pana ove 41000 00 
Mauve, Anton, “Shepherd & Sheep; Holland,” 

(Important Watercolor), 22x34, M. Knoea- 
6,200.00 


Thaulow, Frits, “Early Spring,” 25x34, Mrs. 


COT OOKE cite caictelc cur ale a.s ob. a' ps seals ae 825.00 
Hawthorne, Charles, “Girl in Pink,’ 30x22, 

MV mere LESLOCK © vo oc otis tin 0 o'r 0 0:9 Sia rcane 8 200.00 
Waugh, Frederick, “Heavy Surf,” 25x30, 

M. Knoedler & oe eee Soe ae Se ; 180.00 


Lawson, Ernest aes Bridge in Winter,” 
25x30, Chas. oy 8 SL Ag ee ne a 150.00 


Lawson, Ernest, ‘“‘Autumn Landscape,’”’ 25x 
20, RA; Gushee .i...5.> sale tives Tok tes 150.00 
Stettin, Carl V., ‘““‘The Image Vender,” 28%4x 
36, O. Bernet, Agt. ..... eee 8 it ‘.. 190.00 
Hunten, Emil, “Battle Episode,” 23%x33, 
Frederick D. Migee.....-..sserseessers 105.00 
Hoeber, Arthur,- “Meadow Brook,” 30x25, 
Jone, Ce Payne wanscssccsnecuacdgee sens 100.00 
Jacque, Charles, “In Fontainebleau Forest,” 
29x39%, V. E. Edwards ......+.seess. . 2,000.00 
Blashfield, Edwin, ““A Roman Wedding Pro- 
cession,” mien res By Phomas vas ssc 140.00 
Martin, omer D., “Autumn Landscape,” 
24x40, M. Knoedler & Co.....,... Rati ane 160.00 
Hart, James, “Midsummer,” 33x45, H. 
MAT TATE TNGie el ete ne eis ols ie ere alien eine os sisces 250.00 
Villegas, Jose, ‘Calling the Hour,” 51x31, 
LARC TN A ee italy ROSCA SEER CRORE ROE Tea AC af 150.00 
| Kaemmerer, Frederik, “The Croquet Party,” 
43x79, A. P. Gardiner .......+-ss-++e- 270.00 
TOtal oontegcete se nee eR MCR SADC $34,030.00 


Total for two days’ sale.........++- $39,447.50 


150.00 
TSG VE MATE 508s «9 150.00 


Combination Picture Sale. 


sented at a combination sale of modern 
paintings, the evening of March 16 last in 
the American Art Galleries, when 75 pic- 
tures dispersed by Mr. Thomas E, Kirby 
brought a total of $18,185. 

The feature of the sale was the spirited 
bidding for “The Farmhouse,” by George 
Inness, which brought $2,550, the top price 
of the sale, from George H. Ainslee. This 
picture was formerly in the William fhe 
Evans collection. Six examples of the late 
Henry W. Ranger were sold. W. W. Sea- 
man, agent, paid $2,000 for the “Willows,” 
and the “Swamp Pool” went to Mr. A. A. 
Black for $1,200. Louis Dessar’s “Logging, 
Early Morning,” was purchased by Henry 
Schultheis for $1,250. 

The following is a list of the pictures sold 
March 16, with the numbers, artists’ names, 
titles and sizes in inches, first height and 
then width, the names of the buyers, where 
obiainable, and the prices, when $100 or 
over: 

Murphy, J. Francis, ‘‘October” (Millboard), 


| American and foreign artists were repre- 
/ 
| 
| 


10x5, Vermout Hatch.......sseeeseeeees $330 
Wyant, Alexander, “An October Landscape,” 

1034x8%, F. F, Rothschild......-++++++- 380 
Harpignies, Seari; “Landscape” (Watercolor), 

7x10, W. Seaman, Agt....sesee cee vens 115 
Grolleron, Paul, “Lighting Ris Pipe’ (Panel), 

13x94, F. Loeser & Co...ssseersseeeers 120 
Blakelock, Ralph, ‘‘Sundown” (Panel), 8Y%x 

12%, O. Bernet, PAlatrntiis bin oteletuceteteln oie ale 165 
Fuller, George, ‘Ideal Head”’ (Millboard Cir- 

cle), diameter 12 in., G. Prentice........ 110 
Millet, Francis D., “Spikeenard,” 14x10, G, 

PPentiCe Mil eid ch nile elias Sesrieagale pee oe 100 
Whistler, James, ‘“Tatting’ (Panel), 12x9, 

Vermout Hatch ..crcvcserscens Ginviccns 200 
Lesrel, A. A., ‘Soldier, Period Louis XIII” 

(Panel), 121%4x8%, QO, Bernet, Agt...... 115 
Grolleron, Paul, ‘On the Alert” (Panel), 91x 

15; 1; J. Lowney ES eee olvie  eia ave & 145 


Twachtman, John Henry, “Under Iron Pier, 
Coney Island” (Miullboard) 12x14, 
WAIN SiHS ela casey semen sy ee meals pins eweees 100 


Geo. He Aimsleye fcsic0s oe a bcpe aos cmcs.es 310 
Maynard, Geo. W., “Thalassa” (Millboard), 

16x20, C. L. Schleus.........seeseerees 2 100 
Walker, Henry Oliver, “Meditation,” 20x12, 

Chace Fl. AIRRIO Ve ote 5419. ny ain't a0 eneip gin vim ore 360 
Millet, Francis, “The Mandolin” (Oil), 20x16, 

Thos. Keating .occctrtersceregececraces 100 
Ballin, Hugo, “The Dove” (Panel), 21x17, 

A. Deutsch << vrrecceevcccserterercasevee 110 
La Farge, John, “Mount Tohivea” (Water- 
a color), 154x21y%, Wm. Macbeth........ 475 
Bunce, Wm. Gedney, “Watch Hill, Rhode 

Island,” 14%4x25, Vermout Hatch........- 100 
Loeb, Louis, “The Dreamer” (Watercolor), 

22x17%, G. H. Buck 1... .se reece eeerees 105 
Cox, Louise, “Little Miss Muffett,” 24x20%, 

Hugh IN MERCER (gs ee pot ape OG 310 
Ranger, Honry, “A Noctorne,” 1€x25%, Ver- 


AGISE, TL AEGH ciceais bc sa piece ke cae neieles © ess 235 


Whittredge, Worthington, ‘Indian Encamp- 
ment” (Panel), 19x27, Thos. Keating.... 100 
Vollon, Antoine, “Still Life,” 214%4x29, H. 


VA LATS nie ccs Odin sine Cah oe wae nde eae 150 
Thaulow, Frits, ‘Along the Canal,” 24x28, 
NI EB. Newman caccuccs soccer vss eecgcecse 300 


Frederick, ‘“‘Gloucester Docks,” 20x30, ie 


110 


LIEV a ieience t atee aaiecantis) ele sient mets fe 'vie.6s 
De Haven, Frank, “The Old Apple Tree,” 
24x30, Vermont Hatch ..,...++++-+-seee 100 
Reid, Robert, ‘The Violet Kimone,” 29x25%, 
G. A. Milch, Inc.......-scesserer scenes 180 
Ranger, Henry W., “Willows,” 28x35%, W. 
Seaman, Agt....--seseeerreeerersers 2,000 
Ranger, Henry W., “Sky, Dunes and Sea,” 
28x36, Vermout Hatch .....++--+++-s000 520 
Inness, George, “The Farmhouse,” 253%4x29%, 
Geo. H. Ainsley ..... swiss asa eslu sel cies 2,550 
Ranger, Henry W.,_ “Spring Hole, Haley’s 
Woods,” 36x28, Vermout Hatch.....---. 925 
Waugh, Frederick, “Misty Day, Monhegan,” 
25x30, John Levy ...-seeeresseteserrece 100 


Reid, Robert, ‘The Pool,” 30x25, John Levy... 100 
Dessar, Louis Paul, “Logging; Early Morning,” 


28x36, Henry Schultheis ,......-+--+s-5% 1,250 
Ranger, Henry W., “Spring Pastures,” 27¥%4x 

3534. Vermout Hatch .....+-++s+see-eee 1,050 
Ballin, Hugo, “An Evening Song,” 3934x29%, 

IA) DeutsCh Giccnsclvecsstoceeeenensetseens 180 


Dewey, Chas. Melville, ‘Drifting; New Eng- 


land, Nr. Essex, Mass.,” 
370 


Schultheis ...-cccsceevecvesscccvccecece 
Ranger, Henry W., “Swamp Pool,” 36x28, 

AMAT RACK i, wlisa esis en seis ne aiue es eo «+. 1,200 
Lerolle, Henri, “Returning from the Lavoir,” 

32x26, H. Williams. ...-+seesrereersecene 110 
Vedder, Elinu, “Three Fates,” 44x32, Geo. H. 

Ainsley ccccscscnvecscccncserrvecvecens 310 


Jones, H. Bolton, ‘‘Near Tangiers, Morocco,” 


36x54, C. M. Tice ..sscoveesersserceces : 270 
Villegas, Jose, “The Dancer,” 67x42, R, 
Ged Seek aie sae Asiie wea Views eure ee ese E 100 


Atal clare Gee ake aise pe ON 8 ele me 


ON FREE PUBLIC VIEW 
AI THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING MONDAY, MARCH 12th, 1917 


AND CONTINUING UNTIL THE TIME OF SALE 


VALUABLE 
AMERICAN AND FOREIGN 


OIL PAINTINGS 


BY 


DISTINGUISHED MASTERS 


Teepe SOLD AT UNRESTRICTED PUBLIC SALE 
ON FRIDAY EVENING, MARCH 16th, 1917 


BEGINNING AT 8.15 O’ CLOCK 


AT THE AMERICAN ART GALLERIES 


ILLUSTRATED CATALOGUE 


OF 


AMERICAN AND FOREIGN 
OlL PAINTINGS 


BY 


DISTINGUISHED MASTERS 
OF THE MODERN SCHOOLS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY DIRECTION OF 
ROBERT FORSYTHE PE EOOreALLORNEY 
WILLIAM M. COLEMAN, ESQ., ATTORNEY 
AND SEVERAL PRIVATE OWNERS 


AT THE AMERICAN ART GALLERIES 
ON THE EVENING HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY a Ho 5Ad 
AND HIS ASSISTANT, MR. OTTO BERNET, OF , l 
THE AMERICAN ART ASSOCIATION, MANAGERS 


NEW YORK CITY 
LDt7 


ie 


THE AMERICAN ART ASSOCIATION 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 3 


TEXT AND TYPOGRAPHY 


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CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute arise 
between two or more bidders, the auctioneer shall either decide the same 


or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement of the sale, or may at public or private sale, and 
without other than this notice, re-sell the lots for the benefit of such 
purchaser, and the deficiency (if any) arising from such re-sale shall 


be a charge against such purchaser. 


4. Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 


any purchase during the session of the sale at which it was sold. 


5. Shipping, boxing or wrapping of purchases is a business in 


which the Association is in no wise engaged, and will not be performed 


by the Association for purchasers. The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 


the parties engaged for such service. 


6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. Title passes upon the fall of the auctioneer’s hammer, and 
thereafter, while the Association will exercise due caution in caring 
for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 


7. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of any 
lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold ‘fas is” and without recourse. 

The Association exercises great care to catalogue every lot cor- 
rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 
foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


CATALOGUE 


By 
\ 


SALE FRIDAY EVENING 
MARCH 16, 1917 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 O'CLOCK 


Thomas Moran, N.A. 


AMERICAN: 1887— 
I—CLIFFS OF GREEN RIVER, WYOMING 
Water Color: Height, 3 inches; length, 54 inches 


A MINUTELY finished picture, showing cathedral-lke cliffs on 
the farther shore of the Green River, the waters of which fill 
the right foreground. On the bank in the left foreground is 
a company of Indians, some of them mounted. ‘The sky 
shows a space of blue on the right, and gray and white clouds. 


Signed at the lower left, and dated 1882. 


By order of Mr. Rozsert Forsyte Lirrie, Attorney. 


Lucia Fairchild Fuller, A.N.A. 


AMERICAN: 1872— 
2--THE ROSE GOWN 
Miniature on tvory: Height, 7% inches; width, 444 inches 


AGAINST a rose-pink background a tall, graceful brown-haired 
young woman stands in bare feet and a négligée lavender-rose 
gown, which is lace trimmed and carelessly open down the 
front, disclosing the white undergarment. She turns her head 
slightly to her right and holds her right hand lightly up to her 
chest. At her left, hanging on the wall, appears a delicate 
Japanese painting of a charming color quality. 


Signed at the lower right, L. F. Futuer, 1907. 


William T. Evans Collection, New York, 1918, Catalogue No. 26. 


By order of Mr. Roperr Forsyrue Lirrrie, Attorney. 


Eugene Joseph Verboeckhoven 
Bewucian: 1799-1881 
3—GOAT'S 
Height, 61% inches; length, 8% inches 

ON a grassy mound, where there is an old well with a little 
house sheltering it, are two goats, one white, the other black, 
and three hens. Beyond lies a stretch of level country and 
the summer sky shows banks of gray pink-edged clouds at 


the horizon. 
Signed at the lower left, and dated 1847. 


On the back of stretcher the seal of the 
Verboeckhoven Estate, 1881. 


From Gustave Reichard & Co. 


Property of a Private Collector. 


Ralph Albert Blakelock, N.A. 


AMERICAN: 184°7— 
4A—NAVARRO RIDGE, CALIFORNIA 
Panel: Height, 7 inches; width, 41% inches 


Brown rocky cliffs on the shore of the ocean rise high on the 
left of the picture in relief against a sky of dull blue. and 
yellowish gray. <A little bit of the blue sea appears on the 
right, and gulls are seen flying about the rocks. 


Signed at the lower right. 


By order of Mr. Rosert Forsyrue Lirrye, Attorney. 


Alfred.C. Howland, N.A. 
AMERICAN: 1838—1909 


5—A SOUVENIR OF FRANCH 
Millboard: Height, © inches; length, 11 inches 


A STREAM in the foreground, with some cows drinking; a 
group of poplar trees, and a cottage in the left centre, and a 
view of hills beyond. Overhead a sky of warm-tinted gray 
and white clouds. 

Signed at the lower right. 


By order of Mr. Rosert Forsytrue Lirrie, Attorney. 


J. Francis Murphy, N.A. 


AMERICAN: 18538 


6-—OCTOBER 
Millboard: Height, 10 inches; width, 5 inches 


GREEN pastures diversified with tawny tinted herbage oc- 
cupy the foreground. In the middle distance is a belt of 
trees, bare of foliage, and above is a sky of gray clouds. 


Signed at the lower right. 


By order of Mr. Rozpert Forsyrue Littie, Attorney. 


Alexander H. Wyant, N.A. 
AMERICAN: 1886—1892 


7—AN OCTOBER LANDSCAPE 
Height, 10°84 mches; width, 844 imches 


A SLENDER tree of gray trunk at the left of the foreground 
rises out of the picture, its folage brown, with green sugges- 
tions, in the dark shadow that hangs over the foreground from 
a heavy and ominous-looking cloud which is partly seen. To 
the right, on the verge of the shadow in the middle distance, 
a short, wide-branching fruit tree is seen, and beyond a green 
field in the sunlight the eye wanders to gray-white farm build- — 
ings with sloping brown roofs, and on to the distant sky which 
shows faintly blue among dull gray clouds. 


Signed at the lower right, A. H. Wyant. 


William T. Evans Collection, New York, 1918, Catalogue No. 149. 


By order of Mr. Rosert Forsytue Lirrie, Attorney. 


Johan Barthold Jongkind 
Dutcu: 1819—1891 


8—WINTER IN HOLLAND 
Water Color: Height, 6 inches; length, 94 inches 


AN ice-bound stream on which three boys are skating; a road- 
way; a group of bare trees, and a house and a mill are the 
elements of the picture. In the distance on the right, where 
the buildings of a town are indicated, smoke pouring from a 
factory chimney is blown across the gray sky. ‘The mass of 
the old-fashioned windmill and its arms rise against the sky. 
in the middle portion of the composition. 


Signed at the lowér right. 


Herman Schaus Collection, New York, 1912, Catalogue No. 117. 


By order of Witutam M. Coteman, Attorney. 


Henri Harpignies 
Frencu: 1819—1916 


9—LANDSCAPE 


Water Color: Height, 7 inches; length, 10 inches 


A. ROADWAY winds from the left foreground around a green 
bank on which grow two trees, the foliage reaching up nearly 
to the top of the picture. On the left are groups of trees and 
beyond les a wide stretch of country with a stream and far 
distant hills. A summer sky shows tints of light blue in the 
upper portion. 

Signed at the lower left, and dated ’84. 


Herman Schaus Collection, New York, 1912, Catalogue No. 112. 


By order of Witu1am M. Cotreman, Attorney. 


Paul L. N. Grolleron | 
Frencu: 1848—1901 


10—LIGHTING HIS PIPE 
Panel: Height, 18 inches; width, 914 inches 


A FRENCH infantryman in the uniform, now discarded, of blue 
coat and red kepi and trousers, is seen seated before a fire 
of sticks which he has built in a roadway in the foreground of 
the picture. In his left hand he holds a clay pipe which he 
is about to light with a brand from the fire, held in his right. 
Beyond is a view of country and a sky of gray. 


Signed at the lower right. 
Purchased from Gustave Reichard & Co. 


Property of a Private Collector. 


Ralph Albert Blakelock, N.A. 


AMERICAN: 184'7— 


11—SUNDOWN 
Panel: Height, 814 inches; length, 121% inches 


Tue sun has passed below the horizon, and a sky full of light 
clouds is turned to gray and yellow where it is seen between 
heavy dark masses of foliage which darken and almost over- 
arch the foreground. In the middle distance a lake or river, 
seen below the leaves, catches a reflection of the yellowed 
clouds, the rest of its surface reflecting the red brown of 
buildings on the far shore which appear in the tone of sard. 


Wilkam T.. Evans Collection, New York, 1913, Catalogue No. 31. 


By order of Mr. Roperr ForsytuHe Lirrie, Attorney. 


George Fuller, A.N.A. 
AMERICAN: 1822—1884 


12—IDEAL HEAD 


Millboard: Circle; diameter, 12 inches 


A HEAD in profile view of a young woman with blond hair. 
The head is turned to the spectator’s left with the light falling 
from the right, and is distinguished by its color quality. 


Exhibited at the Memorial Exhibition of George Fuller's works at the 
Museum of Fine Arts, Boston, April 24, 1884. 


By order of James R. Carrer, T'rustee. 


John La Farge, N.A. 
AMERICAN: 1885—1910 


13—LADY OF SHALOTT 


“And at the closing of the day 
She loosed the chain, and down she lay; 
The broad stream bore her far away, 


The Lady of Shalott.” 
Height, 9 inches; length, 144 inches 


Bryonp the water of the foreground, which spreads well back 
into the middle distance, a mountain or hillside sloping from 
the left and forward toward the water meets on the right of 
the background a dense wood. All of the landscape is a dark 
brown in the dusk, the foliage of the thick wood in deep tones, 
and the water is a dark green. The light of departed day 
shows in a streak or broad spot over the mountain tops, below 
dark clouds of the upper sky, and its reflection lghtens a 
spot on the water beyond the boat in the foreground—the 
floating bier of the enchanted lady—and also slightly on the 
lady herself, “robed in snowy white,” in her calm sleep. 


9 


Signed on back. 


William T. Evans Collection, New York, 1918, Catalogue No. 1538. 


By order of Mr. Roxsert Forsytue Lirrie, Attorney. 


Walter Shirlaw, N.A. 
AMERICAN: 1888——1909 


14—THE KISS 
Panel: Height, 1214 inches; width, 11 inches 


HALF-LENGTH portrait of an angular woman with large, 
dreamy features and bright red hair, seated facing the right . 
and turned slightly forward. She wears a shoulder-sleeved 
décolleté gown with a sheen of old gold, and is seen against 
a dark green and blue conventional landscape background, as 
a gray dove alights on her shoulder and approaches its beak to 


her parted lips. 
Signed at the upper left, W. SurrLaw 


Purchased from the artist. 
William T’. Evans Collection, New York, 1918, Catalogue No. 25. 


By order of Mr. Rozert ForsyrHe Lirrir, Attorney. 


Francis D. Millet, N.A. 
AMERICAN: 1846—1912 


15—SPIKENARD 
Height, 14 wmches; width, 10 inches 


Bust portrait of an attractive young woman with her face 
shown in three-quarter profile against a copper-red background. 
Her rich copper-color hair blends with the general tone of 
the picture as does the copper jar she holds in her hands. 


Signed at the upper right. 


Property of a Private Owner. 


James Abbott MeNeill Whistler 
AMERICAN: 1854-—1908 


16— TATTING” 
Panel: Height, 12 inches; width, 9 inches 


A FULL-LENGTH seated figure of a girl dressed in pink, with a 
sage green apron. On her lap is a piece of work, and a ball 
of varn has fallen on the floor. The girl wears a headdress 
of dull red; her black hair, plaited and hanging over her 
shoulder, is tied at the end with a light blue ribbon. All the 
tints of the picture are qualified with grays. 


By order of Mr. Rosertr ForsyrHe Lirrie, Attorney. 


A. A. Lesrel 


FRENCH: — 
17—_SOLDIER, PERIOD OF LOUIS XIII 
Panel: Height, 12% inches; width, 844 inches 


A FULL-LENGTH standing figure of a man with a musket, held 
on his left shoulder, the barrel of which is chased and the stock 
inlaid. He is dressed in black velvet with upper tunic of white 
and crimson brocade; a white satin sash encircles his waist, 
his stockings are gray, and at the knees are knots of salmon 
pink silk. On his head he wears a wide-brimmed hat of 
gray. ‘The background is composed of a carved oak screen and 
a curtain of red. 

Signed at the lower left. 


M. Knoedler & Co. Collection, New York, 18938, Catalogue No. 144. 


Property of a Pricate Collector. 


Paul L. N. Grolleron 
Frencnu: 1848—1901 


18S—ON THE ALERT 
Panel: Height, 914 inches; length, 15 inches 


THREE French infantry of the time of the Franco-Prussian 
War, one of whom lies dead while the other two, with their 
rifles, are in attitudes of watchfulness. One of them on the 
left of the picture is leaning on a sort of natural fortification 
made by a mound with trees growing on it, and another, on 
the right, leans forward as he looks down the road, which 
appears in the foreground. | 


Signed at the lower left, and dated ’81. 


Property of a Private Collector. 


Attributed to Claude Gellee 
(Claude Lorrain) 


19—A FETE CHAMPETRE 
Height, 12°4 inches; length, 16 inches 


In the left foreground, in an open space where great trees 
rise to the top of the composition, is a large company of people 
most of whom are seated or standing in a circle while two, a 
man and a woman, are dancing. Beyond appear the arches of 
a bridge and a prospect of distant country. The sky is grad- 
ated from blue above to warm grays at the horizon. 


Purchased from T. J. Blakeslee, New York, 1891. 


J. Abner Harper Collection, New York, 1911. 
By order of Witu1amM M. CoLeman, Attorney. 


Attributed to Jean Louis Andre 
Theodore Gericault 


Frencu: 1791—1824 
20—-CAHTSAR’S ENTRY INTO ROME 
Height, 13 inches; length, 161% inches 


A COMPOSITION with many figures, showing the Roman ruler 
in his chariot drawn by four white steeds with leaders at 
their bridles, preceded by youths and children bearing vessels 
and garlands. Helmeted soldiers, with pikes and emblems, - 
follow in the wake of the triumphant leader. The chariot is 
passing a great building which appears on the right, and on 
the left there is a great crowd of people and other buildings. 


Purchased from T. J. Blakeslee, New York, 1891. 
J. Abner Harper Collection, New York, 1911. 
By order of Witu1am M. CoLeman, Attorney. 


D. F. Hasbrouck 
AMERICAN: 1860— 


21—_THE WOODS IN WINTER 
Water Color: Height, 13 inches; width, 10 inches 


From the snow-covered foreground a pathway leads through 
a wood. ‘The trunk of one large tree rises from the left fore- 
ground to the top of the picture and on either side of the road 
appears the foliage of pine trees. Beyond are slender trunks 
and saplings with a pinkish winter sky showing through the 
interstices. 

Signed at the lower left, and dated. 


By order of Mr. Roperr ForsytruHe Lirrie, Attorney. 


Henry Oliver Walker, N.A. 


AMERICAN: CONTEMPORARY 
22-- BOY AND DOVE 
Height, 19 inches; width, 1045 inches 


Or solid frame, full, round cheeks and broad forehead, with 
his light hair mildly tousled, a small boy stands nude in tall 
green grass where field flowers bloom, before a dark green 
wood. He holds against his chest in an attitude of childish 
affection a gray dove whose wings are partly spread, and looks 
down at the bird, as he stands in an easy posture turned slightly 
to the left but facing forward, his body encircled by a narrow 
dove-gray fillet. 


Signed at the lower left, Henry Oriver Waxxer, 1888. 


William T. Evans Collection, New York, 1918, Catalogue No, 108. 


By order of Mx. Roperr Forsyrue Lirrie, Attorney. 


William H. Howe, N.A. 
AMERICAN: 1846— 


23—AUTUMN AT FONTAINEBLEAU 
Panel: Height, 1284 inches; length, 16 inches 


A roan, deeply furrowed, extends from the foreground into 
the middle of the picture, rising steeply up a hillside covered 
with herbage, brown and withered by the frost. A few trees 
on either side of the road, and other tree masses in the middle 
distance, with a sky of gray clouds, complete the picture. 


Signed at the lower right. 


By order of Mr. Ropertr Forsyrue Lirrie, Attorney. 


John Henry Twachtman 
AmeErRiIcAN: 1853—1902 


24—UNDER THE [RON PIER, CONEY ISLAND 
Millboard: Height, 12 inches; length, 14 inches 


Tue pier structure, with its galleries and roofs, occupies the 
right of the picture extending to the sea, where a white excur- 
sion steamer is seen just leaving. In the surf on the left are 
some bathers and a life saver in a skiff. Part of the pier struc- 
ture, under which the artist was seated, crosses the top of the | 
canvas, and four iron pillars descend from it to the immediate 
foreground on either side. 
On the backing an inscription in ink, as follows: “Coney 
Island Pier. Sketch by John H. Twachtman, made 
for the Century Co.” 


By order of Mr. Rosertr Forsytrue Lirrie, Attorney. 


Alexander H. Wyant, N.A. 
AMERICAN: 1886—1892 


25—IN THE CATSKILLS 


Height, 14 inches; length, 17 inches 


In the foreground the land rises on either side of a brook of 
sinuous course, green bushes growing down to the water’s edge 
on the right, and on the left a slender and nearly leafless tree 
rooted in a stony soil whose herbage is a brownish-green. 
Beyond a brown, indefinite middle distance rises the deep blue 
ridge of the mountains, with peaked and rounded summits, 
under a sky full of white and darkening gray clouds. 


Signed at the lower left, A. H. Wvanr. 
From the A. H. Wyant sale, 1894. 
William T. Evans Collection, New York, 1918, Catalogue No. 34. 


By order of Mr. Rosert Forsytue Lirrie, Attorney. 


George H. Bogert, A.N.A. 
AMERICAN: 1864— 


26—OFF ETAPLES 
Panel: Height, 18 inches; width, 14°84 inches 


Tur bluish green expanse of the sea, with breakers rolling in 
on the sandy beach, occupies the lower portion of the picture. 
On the right is a headland with white chalk cliffs; on the 
left is a sloop sailing before the wind, and farther away are 
several other sails. Over all, a sky of warm-tinted gray clouds 
with a patch of blue in the upper portion. 


Signed at the lower right, and dated ’94. 


By order of Mr. Rozert Forsytue Lirrie, Attorney. 


Samuel Colman, N.A. 
AMERICAN: 18833 


27-24 VALLEY IN MEXICO 
Height, 11 inches; length, 17 inches 


Fiat lands and a stream on which is a punt being propelled 
along, occupy the foreground. In the middle distance are 
buildings and a walled garden with groups of trees,—the whole 
forming an establishment of importance. Beyond lies a range 
of mountains and overhead is an evening sky with gray clouds 
tinged with warm white and pink. 

Signed at the lower right. 


Thomas B, Clarke Collection, New York, 1899, Catalogue No. 209. 


Emerson McMillin Collection, New York, 1918, Catalogue No. 121. 
Property of a Private Collector. 


Arthur Turnbull Hill 


AMERICAN: 
28--THE LAKE IN WINTER 
Height, 15 inches; length, 181% inches 


A LAKE with wooded shores occupies the central portion of the 
picture. On the bank, in the foreground, are the trunks of 
trees, both on the left and right, reaching up to the top of 
the canvas. The general tone of the picture is cast in light 
tints and snow is indicated blowing as it falls across the 
picture. 

Signed at the lower right, and dated 19138. 


By order of Mr. Rosert Forsyrue Lirrir, Attorney. 


Charles P. Gruppe 
AmeERIcCAN: 1860— 


29 _LATH OCTOBER 
Height, 18 inches; length, 18 inches 


In the foreground are pastures on the edge of a wood, which 
traverses the middle portion of the picture. The trees are 
almost bare of foliage. A white and black cow is seen in the 
right center grazing among the saplings. 


Signed at the lower right. 


By order of Mr. Rospert Forsyrne Lirrie, Attorney. 


William Sartain, A.N.A. 


AMERICAN: 1843— 
30—HARLY HV ENING 
Height, 12 inches; length, 20 inches 


A BELT of full-foliaged trees, dark against an evening sky of 
gray blue, extends from the left across the composition, and 
relieved against it in milder tints is a mass of shrubbery. The 
iumnmediate foreground shows a part of a sandy road. 


By order of Mr. Roperr Forsyrue Lirrrie, Attorney. 


George Willoughby Maynard, N.A. 
AMERICAN: 18438 


31—_THALASSA 


Millboard: Height, 16 inches; length, 20 inches 


THE entire composition, except for a strip of sky in the upper 
part, is filled by the expanse of blue ocean and breakers which 
are rolling in shoreward. Floating on a great wave, as it 
curves over with white foam, is a beautiful mermaid who, at 
home in her element, reclines at her ease as she is buoyed up 
by the beautiful blue waters. 

Signed at the lower right. 


Thomas B. Clarke Collection, New York, 1899, Catalogue No. 198. 
Property of a Private Collector. 


Walter Shirlaw, N.A. 
AMERICAN: 1838—-1909 


S21 LITTLE SHEPHERD 
Height, 10°4 inches; length, 19 inches 


By the side of a little stream, in the left foreground, a shepherd 
boy is seated and seems to have just finished taking a bath. 
Large trees in green foliage, on the bank, occupy the left 
of the picture. A clump of bushes on the right, the roadway 
in the center and some sheep grazing beyond, with a sky of 
gray, are the other elements composing the picture. 


Signed at the lower left. 
Purchased from the artist. 


Property of a Private Collector. 


Henry Oliver Walker, N.A. 


AMERICAN: CONTEMPORARY 
33—YOUNG GIRL 
Height, 20 inches; width, 12 inches 


A HALF-LENGTH seated figure of a young woman, the head 
turned over her right shoulder and appearing in lost profile. 
The body is draped with a garment of grayish blue, the left 
shoulder showing nude. 

Signed at the upper left. 


By order of Mr. Roperr Forsyrue Lirrie, Attorney. 


Antoine Vollon 
Frencu: 1833—1900 


34 VIEW OF DIEPPE 


Panel: Height, 12 ches; length, 20 inches 


Tue waters of a harbor fill the foreground and the middle por- 
tion of the picture is traversed by the walls of the quays and 
the buildings of the town. Near the quays some vessels are 
moored, and a small sloop is passing on the right. Over- 
head is a sky of qualified blue with some gray and white clouds. 


Signed at the lower left. 
Property of a Private Owner. 


Frederick Stuart Church, N.A. 
AMERICAN: 1842— 


35—THE WITCH S DAUGHTER 
Water Color: Height, 2114 wmches; width, 13 inches 


THE witch’s daughter is a fair and seductive young woman, and 
she sits comfortably in the deep crescent moon, looking down 
at a wide-eyed owl perched beside her. He is brown, and she 
wears a sleeveless pale green gown of flimsy material, which 
trails below as they float through the clouds. 


Signed at the lower left, ¥. S. Courcu, N. Y., 1881, copyricut. 


Etched by Mr. Church for “L’ Art,” Parts. 
William T.. Evans Collection, New York, 19138, Catalogue No. 42. 


By order of Mr. Roxpert ForsytHe Lirrie, Attorney. 


Robert L. Newman 
AMERICAN: 1827—1912 


36—THE GOOD SAMARITAN 
Height, 19 inches; width, 17 inches 


A. Group of two figures showing the wayfarer, with white loin 
drapery supported by the good Samaritan, who is clad in a 
robe of red and wears a white turban. On the right of the 
group stands the Samaritan’s horse, and two other mounted 
travelers are seen disappearing along the road in the distance. 
A low-toned picture with rich color tints. 


Signed at the lower left, and dated 1898. 


Property of a Pricate Collector. 


Francis D. Millet, N.A. 
AMERICAN: 1846—1912 


37—_THE MANDOLIN 
Oil: Height, 20 inches; width, 16 inches 


In a carved-gilt and red-upholstered high-backed chair, a 
young lady with chestnut-brown hair and wearing a low- 
necked purple-velvet gown trimmed with delicate white lace, 
is seated at a round mahogany table playing a stringed instru- 
ment. Her music on the table rests against a pile of books 
beside a jar of flowers. She faces the left, nearly three-quarters 
front. Neutral ground of subdued reddish-brown note. 


From the Sale of the Artist’s Works, Catalogue No. 72, New York, 
1914. 


By order of Mr. Ropert ForsyrHe Lirrir, Attorney. 


Hugo Ballin, A.N.A. 
AMERICAN: 1879— 


38—_THE DOVE 
Panel: Height, 21 inches; width, 17 inches 


A DECORATIVE composition full of rich but subdued color. A 
young woman is shown at half-length, facing the spectator, 
before an idealized background. Her left hand is extended 
before her breast and a white dove with a green sprig in its 
beak has alighted on the index finger, and with wings still 
expanded holds up the green toward her face. She wears 
garments of many colors, and jewels. ‘There is a noticeable 
quality in the dove’s plumage. 


Signed at the lower left, Hueco Baur, ’08. 


William T. Evans Collection, New York, 19138, Catalogue No. 16. 


By order of Mr. Rosertr Forsyrue Lirrie, Attorney. 


Leonard Ochtman, N.A. 


AMERICAN: 1854-— 
39—_HARV ESTING 
Height, 16 inches; length, 22 inches 


In the foreground a broad field of wheat, which has been mostly | 
cradled, bound, and shocked up; a farmer bending over as 
he binds, in the middle distance; beyond him a strip of the 
standing grain, and a hillside with groups of trees. Over all 
a sky of gray clouds. 

Signed at the lower left, and dated 1897. 


From the Wm. F. Havemeyer Collection. 


Property of a Private Collector. 


John La Farge, N.A. 
AMERICAN: 1835—1910 


40—MOUNT TOHIVEA 
Water Color: Height, 1544 inches; length, 2144 inches 


A MOUNTAINOUS landscape in sunshine and partial shadow, in 
many tones of green, from tending toward blue to the lightest 
of green on the far, high mountain, which is in direct sunshine. 
In the immediate foreground are seen the tops of palms and 
tropical vegetation. ‘The robin’s-egg sky has many mottlings, 
on both its blue and green trends, and white clouds, with other 
clouds tinged as with reflections of the greens below, in lieu of 
the sunset tones of other climes. 


Wiliam T. Evans Collection, New York, 19138, Catalogue No. 43. 


By order of Mr. Rogperr Forsytue Lirrie, Attorney. 


William Gedney Bunee, N.A. 
AMERICAN: 1840—1916 


41—_WATCH HILL, RHODE ISLAND 
Height, 1444 inches; length, 25 inches 


THe blue Sound puts in from the right, its wavelets breaking 
in white spray and rolling up a crescent beach whose nearer 
arm forms the low foreground, the farther arm projecting low 
and flat under a pale sky—the sky there as of a thin white veil 
drawn before a light greenish-blue. Between the arms the 
high round-topped. hill mounts toward a variegated sky whose 
clouds have the tones of cream-yellow and brown onyx, with 
rare patches of green. The hill’s crest is green; its bank where 
broken away by the sea is curiously marked in a sandy-yellow 
and greenish-brown. Parts of buildings on the farther slope 
project above the hill’s green top, and between the dunes at its 
base is an opening where the sea breaks through in time of 
storm. 


From James S. Inglis Collection. 
Wiliam T, Evans Collection, New York, 19138, Catalogue No. 108. 


By order of Mr. Rosert ForsytHe Lirrie, Attorney. 


Louis Loeb, N.A. 
AMERICAN: 1866—1909 


42—THH DREAMER 
Water Color: Height, 22 inches; width, 1724 mches 


A TALL young woman gowned soberly in a green so dark it is 
nearly black is depicted at three-quarter length, seated and 
facing the right, three-quarters front. Her hands rest idly in 
an open book in her lap, and she gazes blankly into far-off 
space, dreaming. ‘The light falls broadly on her bright red 
hair and exposed shoulder, and she wears a violet-blue and 
green corsage bouquet. 


Signed at the upper right, Louis Lorex, with date. 


William T.. Evans Collection, New York, 1913, Catalogue No. 18. 


By: order of Mr. Rozpert Forsyrue Lirrie, Attorney. 


J. Carroll Beckwith, N.A. 


AMERICAN: 1852— 


483—A PPLE BLOSSOMS 
Height, 25°24 inches; width, 1744 imches 


A rosust blond young woman, her golden hair bound in hght 
blue fillets and her features drawn into a musing smile, is 
seated in a bower of luxuriant pink blossoms among the dark 
brown branches of a sturdy tree, only the crotch of whose 
trunk is visible. About her is wrapped a canary-yellow and’ 
pink-white filmy drapery which leaves an arm and her chest 
exposed, and over her lap is spread a broad and open book, 
at a page of which she gazes with interest, the back of one 
wrist against her thigh. 


Signed at the lower left, CarroLty Breckwiru. 


Reproduced in Lippincott’s “American Figure Painters.” 
William T'. Evans Collection, New York, 1918, Catalogue No. 17. 


By order of Mr. Rosert Forsyrue Lirrie, Attorney. 


Louise Cox, A.N.A. 


(Mrs. Kenyon Cox) 
44—TLITTLE MISS MUFFETT 
Height, 24 inches; width, 20°84 iches 


Tus little miss is seated cross-legged on a crimson cushion on 
the library floor, with her back very straight, and looking. 
straight in front of her toward the spectator, her hands clasped 
in the lap of her white, pink-flowered dress. The short dress 
has short, puffed sleeves, and her arms and lower legs are bare. 
Her loosened brown tresses hang over her shoulders, and she 
wears white shoes. The background is shelves of books, and a 
screen with blue ground and golden-brown ornament. 


Signed at the lower right, Louise Cox, 1906. 


William T’. Evans Collection, New York, 1918, Catalogue No. 48. 


By order of Mr. Rozserr Forsyrue Lirriz, Attorney. 


Henry W. Ranger, N.A. 
AMERICAN: 1858—1916 


45—A NOCTURNE 
Height, 18 inches; length, 251% inches 


Across the picture runs a broad river, its water green in the 
Wmoonlight under a malachite sky. On the nearer bank two 
bushy trees grow at the left, and at the right is an ancient 
gabled building with a short chimney, in front of which a figure 
on horseback and another figure standing behind the horse 
are seen in the bright moonlight. Across the stream are green 
fields and occasional trees, and the full moon has risen over the 
hillside in a clear sky—though heavy clouds hang aloft—its 
hght whitening the river. Throughout there is a brilliant 
atmosphere. 


Signed at the lower left, H. W. Rancrr, 93. 
William T’.. Evans Collection, New York, 1918, Catalogue No. 174. 


By order of Mr. Roperr Forsytrue Lirrrie, Attorney. 


Worthington Whittridge, N.A. 
AMERICAN: 1820—1910 


46—INDIAN ENCAMPMENT 
Panel: Height, 19 inches; length, 27 wmches 


In a level valley traversed by a stream, which appears in the 
middle foreground, and with masses of great trees on either 
side, a party of Indians have camped for the mght. ‘The 
tepees, with figures and horses, appear on the extreme right, 
and figures on horseback are seen approaching from the dis- 
tance. Framed in by the foliage on either side of the picture 
appears a distant range of blue mountains, and above is a 
sky showing rosy tints where the sun has set. 


Signed at the lower left. 


By order of Mr. Rosperr Forsyrue Lirrie, Attorney. 


Eastman Johnson, N.A. 
AMERICAN: 1824-—1906 


ree PAY ME A TUNE” 
Millboard: Height, 22 inches; length, 2614 inches 


Ix a homelike, well-furnished interior is a group of three 
figures. A man wearing a great-coat, who seems to have come 
into the house on some errand, is seen standing in the left por- 
tion of the composition and, as explained in the title of the 
picture, is enjoying the music made by a lady in blue who is 
seated before an old-fashioned square piano on the right. On 
the left is a little girl seated on a stool beside a fireplace where 
wood is burning. 

Signed at the lower left. 


From the Sale of the Artist’s Works, New York, 1907, Catalogue 
No. 127. 


Property of a Private Collector. 


Addison T. Millar 
AMERICAN: 1860—1913 


48—THE SPRING 
Height, 22 inches; length, 28 inches 


A sumer landscape showing the waters of a pool formed by 
a spring in the meadows, shaded by bushes and the foliage of 
a large tree, which appears on the right near a fence built 
of big boulders. Beyond is a sunny expanse of meadows, green 
foliage, and a distant hillside. 


Signed at the lower left, and dated 1912. 


By order of Mr. Ropert ForsytHE Lirrie, Attorney. 


Antoine Vollon 
Frencu: 18338—1900 


49—STILL LIFE 
Height, 211% inches; length, 29 inches 


On a table are grouped a china ewer and basin, a tall golden 
beaker, a fruit dish containing oranges, roses and other flowers, 
some of which have their stems in the water of the basm. On 
the right is a curtain of blue velvet with heavy gold border. 
The ewer of ornamented china, with a hinged cover and a little 
green dolphin on the handle, is the most conspicuous object 
in this brilliantly painted piece of still life. 


Signed at the lower left. 


Property of a Private Owner. 


Adrien Demont 
Frencu: 1851— 


50—A FISHING VILLAGE IN FRANCE 


Height, 18 inches; length, 33 inches 


In the foreground, where an estuary is depicted at low tide, a 
fisherwoman is crossing on stepping-stones, and an old boat 
lies high and dry on the sands at the left. In the middle of 
the picture, where the water passes under an archway, a road 
leads into a town, its buildings showing lights in the windows, 
while above, over a distant range of hills, the full moon is rismg 
in an evening sky. 

Signed at the lower right. 


Property of a Private Owner. 


Luis Jiminez 
Spanisuo: 1845— 


51—A COUNTRY IDYL 
Height, 29 inches; width, 21% mches 


On the bank of a little stream which proceeds from the middle 
distance, where it flows under a bridge to the foreground, are 
two figures,—one a young man who is fishing, and the other a 
girl who, in passing along with a laundry basket filled with 
clothes, has stopped to talk. At the side of the bridge, where 
a road crosses the stream, is a small flat-roofed building, and 
beyond is a steep hillside. A bit of gray sky appears on the 


right upper portion of the composition. 
Signed at the lower right. 


From the William Baumgarten Collection. 


Property of a Private Collector. 


Frits Thaulow 
NorweEcian: 1847—1906 


52—ALONG THE CANAL 


Height, 24 inches; length, 28 inches 


A cawat lined with stone walls leads from the left into the 
middle of the picture, where it turns behind the walls which 
enclose the buildings of a town, the walls and roofs appear- 
ing on the right. Two vessels are moored at a landing-place, 
and on the roadway between the banks of the canal and the 
walls of the town, on the right of the picture, are a blue wagon, 
a white horse, a man and a child. Some trees growing within 
the walls reach up with warm-tinted foliage near the middle of 
the picture and show in relief against a late afternoon sky with 


large masses of cumulus clouds. 
Signed at the lower right. 


Property of a Private Owner. 


Frederick J. Waugh, N.A. 
AMERICAN: 1861— 


58—GLOUCESTER DOCKS 
Height, 20 inches; length, 30 inches 


In a slip between two docks, built on piles, and with buildings 
showing on both the right and left of the picture, a large fishing 
schooner is tied up to the wharf, with its two dories floating 
high out of the water near by. Beyond, between the ware- 
houses on the piers, other buildings are’ seen, which line the 
street, and above is a colorful sky. 

Signed at the lower right. 


Signed also on the back of the canvas, and dated 1910. 


By order of Mr. Rosert ForsytHe Lirrie, Attorney. 


Frederick Stuart Church, N.A. 
AMERICAN: 1842— 


54—LOVE BIRDS 
Height, 22 inches; length, 29 inches 


STANDING among vines and blossoms is a half-length figure 
of a young girl with auburn hair, her head, seen in profile, 
reaching forward as she receives the caressing little peck of 
a pet white dove perched on one of the vine stems. The young 
girl’s costume of pale green harmonizes with the tints of the 
vine leaves and her hair is bound with a green withe with a 
white blossom. On the left are seen the waters of a lake, a 
wooded shore, and a patch of blue sky. 


Signed at the lower right, and dated 19138, with “CopyricurT.” 


By order of Mr. Roperr ForsytruHe Lirrie, Attorney. 


Frank De Haven, A.N.A. 


AMERICAN: 1856— 
55—THE OLD APPLE TREE 
Height, 24 inches; length, 30 inches 


A LANDSCAPE depicting green pastures where some sheep are 
erazing, with an old apple tree bereft of part of its bark and 
most of its branches, growing near a large boulder in the 
left foreground. Beyond is a sloping hillside with a group of 
trees on the left; overhead a sky of pale gray. 


Signed at the lower right. 


By order of Mr. Roserr Forsyrue Lirrre, Attorney. 


M. F. Blashki 


AMERICAN: CONTEMPORARY 
56—A SUMMER DAY 
Height, 25 inches; length, 30 inches 


In the foreground, by the side of a lake, the blue waters of 
which appear in the middle portion of the composition, are 
figures of men and women reclining, while two children are 
seen on a bank at the left. Tall trees, reaching up to the top 
of the canvas, cast the shade of their foliage over the fore- 
eround, while on the farther shores of the lake are great 
masses of trees shining golden-brown in the sun. Beyond ap- 
pears a sky of blue with white clouds. 


Signed at the lower left, and dated 1906. 


Purchased from the artist. 


Property of a Private Collector. 


Robert Reid, N.A. 
AMERICAN: 1868 


57—THE VIOLET KIMONO 


Height, 29 inches; width, 2534 inches 


Tue full-length portrait of a young lady with a mass of yellow 
hair revealing reddish tinges, seated and turned to the left 
at her dressing table. Her head is turned from the spectator 
and her face is seen three-quarters full in the oval mirror over 
her table. Her checks are pink, her lips are red, and she wears 
a thoughtful or dreamy expression as she looks abstractedly 
at a glass bowl of violets which she is languidly arranging 
before the mirror. She is clad in a violet kimono which gives 
various tones of purple in the strong light, with bits of green 
in its ornament, and the tones are taken up again in the curtains 
at either side, while her kimono, falling open over her lap, dis- 
closes a white lace skirt. 


Signed at the lower right, Roserr Rep. 


William T. Evans Collection, New York, 1918, Catalogue No. 184. 


By order of Mr. Rozperr Forsyrue Lirrie, Attorney. 


Henry W. Ranger, N.A. 
AMERICAN: 1858—1916 


58—_WILLOWS 
Height, 28 inches; length, 35°4 inches 


AN aged willow of sturdy and rugged trunk and straggling 
branches grows at the right on the edge of a pond or spring 
pool, its topmost branches mounting above the picture. Slender 
trees grow at either side of it and across the pond at the left, 
their graceful bodies seeming to bend in a breeze. ‘The big 
willow and the pond are in a foreground shadow, while beyond, 
and extending to the far distance, the sunshine lights green 
fields of irregular surface and low hills, under a blue and white 
summer sky with cream-yellow touches. On the right the 
fields are bordered by a line of thick woods, near which in the 
middle distance two persons are seen conversing. 


Signed at the lower left, H. W. Rancer. 


William T'. Evans Collection, New York, 1913, Catalogue No. 180. 


By order of Mr. Rospert Forsytue Lirrie, Attorney. 


Henry W. Ranger, N.A. 
AMERICAN: 1858—1916 


59—SKY, DUNES AND SEA 
Height, 28 inches; length, 36 inches 


Tue dunes, which are high at the left and covered with the 
coarse, gray-green grass of the seaside, have given way to 
inroads of the tides in the foreground, and become low, hum- 
mocky sand-patches, with a bit of struggling green here and 
there. At the right the sea, a deep blue on a bright day, comes 
up in gentle motion. The light blue sky is all but filled by 
masses of grayish-white cumuli, whose edges are tinged with 
faint cream-yellow. 

Signed at the lower left, H. W. Ranerr, 1904. 


William T. Evans Collection, New York, 19138, Catalogue No. 198. 


By order of Mr. Rosert Forsyrue Lirrrie, Attorney. 


George Inness, N.A. 
AMERICAN: 1825—1894 


60—THE FARMHOUSE 
Height, 25%4 inches; length, 29°4 inches 


THE green grass is long, loose, uncared-for and luxuriant in a 
farmyard bordered by some thick green woods. AI over the 
foreground is the deep, verdant carpet, here and there the 
surface further softened by the feathery wisps of seed-blades, 
and all in transparent shadow, while sunshine falls upon trees 
at either side of a wandering path and reveals at the left the 
outlines of the farmhouse, partly screened by bushes and 
shaded by trees. In the path, just within the border of the 
shadow, a figure is seen. ‘The distant sky is a deep, intense 
blue, where it can be seen between masses of cumulus clouds, 
which glow yellow in the warm sunlight, beyond the yellowish- 


green of the plentiful trees. 
Signed at the lower right, G. IynEss. 


Purchased from George H. Ainslie. 
Wiliam T.. Evans Collection, New York, 1918, Catalogue No. 64. 


By order of Mr. Roperr Forsyrue Lirrie, Attorney. 


Henry W. Ranger, N.A. 
AMERICAN: 1858—1916 


61—THE SPRING-HOLE, HALEY’S WOODS 
Height, 36 inches; width, 28 inches 


A SWAMPY ravine or cut between low banks extends straight 
back through the center of the picture to an indistinct middle 
distance, high round-topped hills being seen afar against the 
horizon. The banks at either side are wooded; the lower land 
has been cleared. A pile of logs sawn for firewood stands at 
the right in it, beside a pool of the foreground which reflects 
the light of the sky and the forms and tones of the green and 
yellow herbage on its shores or banks. Sunlight toward the 
close of day illuminates the low clearing and the tall bordering 
yellow and green trees of the banks of the cut, and gives 
touches of sunset colors to the white clouds which tumble mn 
fluffy masses in the sky. Up the ravine at the side two figures 
of workmen are visible. 

Signed at the lower left, H. W. RancEr. 


Wiliam T,. Evans Collection, New York, 19138, Catalogue No. 68. 


By order of Mr. Ropert ForsytHe Lirtiz, Attorney. 


Frederick J. Waugh, N.A. 
AMERICAN: 1861— 


62—A MISTY DAY, MONHEGAN 
Height, 25 inches; length, 30 inches 


THE ocean in slow but massive movement comes from the 
right with shghtly ruffled surface, its ponderous inertia carry- 
ing it up the sloping rocky shore at the left, where the suc- 
cessive low waves are spent and broken, recoiling in lassitude in 
a greenish-white and spreading foam. ‘The rocks are dark on 
the sunless day, and a dense mist is coming in over the sea, 
so thick that outlying rocks in the distance—where the white 
spray dashes high above them—are but dimly seen across a 
stretch of somber, greenish-blue water. ‘The whole scene is 
under a dull gray, murky sky, which blends with the mist. 


Signed at the lower right, Waven. 


William T’. Evans Collection, New York, 1918, Catalogue No. 57. 


By order of Mr. Rozperr Forsyrue Lirrie, Attorney. 


Albert P. Lucas 


AMERICAN: CONTEMPORARY 


68—NOCTURNE 
Height, 30 inches; width, 25 inches 


Over a landscape, in which a roadway and trees are dimly 
seen, rises a high night sky with dark clouds from beyond 
which comes the light of the moon. A few stars are seen in 
the open spaces. The color scheme shows warm tints, through 
which appears the light of the moon falling on a mass of 
little cloud flecks depicted in tints of yellow and orange. 


Signed at the lower right. 
Purchased from the artist. 


Property of a Private Collector. 


Robert Reid, N.A. 
AMERICAN: 18638— 


64—THH POOL 
Height, 80 inches; width, 25 inches 


In the midst of a green thicket of tangled undergrowth a rill 
makes its appearance, high in the picture, bubbling from cloven 
rocks, and winds and tumbles down their uneven edges to form 
a pool below in the foreground. ‘The dense green foliage and 
its entanglement of gray and brown trunks and stems make 
a solid background surrounding the small rocky gorge of the 
miniature waterfall, and the sunlight plays on the exposed 
leaves and on the brown and purple rocks, while the pool mir- 
rors a confusion of their colors. A symphony of rich tones. 


Signed at the lower right, Ropert Rep. 


Wiliam T. Evans Collection, New York, 1918, Catalogue No. 60. 


By order of Mr. Roxsertr Forsyrue Lirrye, Attorney. 


Louis Paul Dessar, N.A. 


American: 1867— 
65—“LOGGING’: EARLY MORNING 
Height, 28 inches; length, 36 inches 


In the center of the composition, emerging from the woods 
and proceeding toward a clearing which appears in the middle 
distance, is a team of four oxen drawing a pair of big wheels to 
which are chained two tree trunks which have been recently 
felled. The head and shoulders of the driver, with his goad, 
appear over the back of the ox on the left of the rear pair. 
The foreground rises in deep shadow and is overhung by the 
foliage of great trees, while the morning light illumines the 
clearing and a belt of trees beyond. 


Signed at the lower right, and dated LO Le 


By order of Mx. Rosert ForsyTHe Litre, Attorney. 


William L. Picknell, A.N.A. 


AMERICAN: 1852—-1897 
66—APPLE BLOSSOMS 
Height, 26 inches; length, 86 inches 


In an orchard, occupying the foreground, are a number of 
apple trees in full bloom shining in the May sunlight. A road 
passes through the middle of the picture and over the tops of 
the trees are seen a large substantial looking house with a red 
brick chimney, and other buildings. Above is a blue sky with 
some gray clouds. 

Signed at the lower right, and dated ’88. 


Property of a Private Collector. 


Henry W. Ranger, N.A. 
AMERICAN: 1858—1916 


67—SPRING PASTURES 
Height, 27%4 inches; length, 35°4 inches 


AV VALE between rolling hills extends back through the center 
of the picture, fresh and verdant and showing here and there 
touches of color in the plant growths that mingle with the 
grass. ‘The hills are crossed by stone fences which divide the 
fields as on the hills of Connecticut, and along one fence a few 
trees are growing, their shadows thrown on the hillside at the 
left. A hill to the right of the foreground puts the nearer 
part of the vale in partial shadow, where a field road ruts the 
turf, and up the vale in the middle distance two figures appear 


in the sunlight. 
Signed at the lower left, H. W. Ranecer, 1905. 


William T. Evans Collection, New York, 1913, Catalogue No. 65. 


By order of Mr. Rozserr ForsytHe Lirrie, Attorney. 


Hugo Ballin, A.N.A. 


AMERICAN: 1879— 
68—AN EVENING SONG 
Height, 39%4 inches; width, 29°4 inches 


A. YOUNG woman in a loose, bluish-green gown which is low 
about the neck is seated in a stone window embrasure playing 
a lute, and facing slightly to the right. She wears an elaborate 
jeweled pendant at her breast, a necklace of blue beads strung 
on a red cord, and a pearl and sapphire ring, and her reddish- 
yellow hair is wreathed in colors. A conventional landscape is 
visible through the window, and bright flowers and green vines 
are used within and without the casement in the production of 
an effective decorative composition. She has a reposeful 
meditative expression, with downcast eyes beneath drooping 


lids. 


William T. Evans Collection, New York, 1913, Catalogue No, 137. 


By order of Mr. Rogert Forsytrue Lirrie, Attorney. 


Charles Melville Dewey, N.A. 


AMERICAN: 1851— 


69—DRIFTING: A NEW ENGLAND SCENE, NEAR 
ESSEX, MASSACHUSETTS 


Height, 30 inches; length, 40 inches 


Two men have been gathering hay from the salt meadows, and 
with a load of it heaped high on a brown flat-boat or scow, in 
an inlet, are idly adrift, ready to go homeward. One has his 
long sweep in the shallow, rippling water, as a rudder, as he 
sits at the stern, and his companion is standing beside the 
mound of hay, holding upright his sweep, which reaches high 
above it. Beyond is a narrow stream of water crossing the 
picture, and at the left a bit of the green sea is seen, with a 
white lighthouse on the coast. In the distance at the right are 
green-covered hills or dunes, under an iridescent sky. 


Signed at the lower left, CHarLes MerivitLe Dewey. 


William T. Evans Collection, New York, 1918, Catalogue No. 188. 


By order of Mr. Roserr Forsytue Lirrir, Attorney. 


Henry W. Ranger, N.A. 
AmErRIcAN: 1858—1916 


70—THH SWAMP POOL 
Height, 86 mches; width, 28 inches 


TE pool appears in the foreground, bordered by blue-gray 
boulders whose rough surfaces are patched with various colors 
in marsh-growths and incrustations. Beyond it a stretch of 
swamp land extends into the distance, bounded on the left by 
a wooded upland. At the beginning of the wood, on the 
border of the pool, the sunlight plays upon the light bark and 
scragely trunk of a tree whose green foliage is tinged with 
vellow—the yellow note running more or less through the 
landscape and the lower sky. It is a showery day, and the 
clouds aloft are dark. Numerous birds in flight appear in 
black silhouette against the sky, and near the pool two figures 
are seen standing near a small tree. | 


Signed at the lower left, H. W. Rancer, 1907. 


Wiliam T'. Evans Collection, New York, 1918, Catalogue No. 134. 


By order of Mr. Rosertr Forsyrue Lirrir, Attorney. 


Henri Lerolle 
Frencu: 1851— 


71—RETURNING FROM THE LAVOIR 
Height, 32 inches; width, 26 inches 


In the foreground of the picture which borders a stream seen 
on the right, a young peasant woman is advancing toward the 
spectator along a pathway, trundling a wheelbarrow loaded 
with the family washing. She wears a white bodice and blue 
gray skirt, while head, neck, and arms are bare. Beyond lies 
a stretch of flat country with some little stacks of grain, and 
in the distance is a range of hills. Above is a summer sky of 
blue with gray clouds tinged with pink. 


Signed at the lower left. 
Property of a Private Owner. , 


Pierre Carrier-Belleuse 
Frencu: 1848— 7 


72—_PASSING THE TIME 
Pastel: Height, 29 inches; length, 39 inches 


Two ballet girls in reclining positions, with their gauze skirts 
forming a background for their heads, shoulders and arms, are 
playing a game of cards while waiting for the moment when 
they are called to appear in the spectacle. ‘The one on the right 
has black hair adorned with a rose; the other is blonde and 
wears bows of blue ribbon in her hair and as shoulder-knots. 


Signed at the lower right, and dated 1890. 


Property of a Private Owner. 


Elihu Vedder, N.A. 


AMERICAN: 1836— 
73-—THE THREE FATES 
Height, 44 inches; width, 32 inches 


THE three female figures in this composition are depicted nude 
above the waist, the lower portion of their bodies being cov- 
ered with draperies of bluish-gray, while the head of each 
figure is crowned with drapery of qualified pink. The central 
figure is standing, and the other two are in supporting posi- 
tions. Near the lower part of the picture lie the distaff, bobbin 
and shears. 


Signed at lower right, and dated Romer, 1887. 


By order of James R. Carrer, Trustee. 


H. Bolton Jones, N.A. 
AMERICAN: 1848— 


74A-NEAR TANGIERS, MOROCCO 


Height, 36 inches; length, 54 inches 


From a sandy foreground with bunches of cactus, where are 
two white-clad men with a donkey, the walled city of Tangiers 
is seen on the hill upon which it is built, the white walls of 
the buildings shining in the sun. Over the tops of a belt of 
thick-foliaged trees on the right of the picture is a glimpse 
of the sea beyond the town. Overhead is a sky of qualified 


blue. 
Signed at the lower left, and dated “TancEr, 1880.” 


Wm. B. Bement Collection, New York, 1899, Catalogue No. 69. 


Property of a Private Collector. 


Jose Villegas 
SPANISH: 1848— 


"5—THE DANCER 
Height, 67 inches; width, 42 inches 


A FULL-LENGTH life-size figure of a young woman of bru- 
nette type, dressed in a short skirted gown of pink trimmed 
with black and wearing a flat-brimmed red hat, which she holds 
lightly by the rim with the fingers of her left hand. With the 
right hand, held back at the waist line, she flirts the flounces 
of her skirt as she pirouettes on the stage, where some roses 
that have been thrown to her are lying. 


Signed at lower right, and dated 1906. 


T'o be sold to close an Estate. 


AMERICAN ART ASSOCIATION, 


MANAGERS. 
THOMAS E. KIRBY, 


AUCTIONEER. 


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LIST OF ARTISTS REPRESENTED 
| AND THEIR WORKS | 


io 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


CATALOGUE 


NUMBER 

BALLIN, Hueco, A.N.A. 

The Dove 38 

An Evening Song 68 
BECKWITH, J. Carroiy, N.A. 

Apple Blossoms 43 
BLAKELOCK, Ratrpyu Apert, N.A. 

Navarro Ridge, California 4 

Sundown 11 
BLASHKI, M. F. 

A Summer Day 56 
BOGERT, Grorcr H., dA.N.A. 

Off Etaples 26 
BUNCE, Wuiutwiam GepNey, N.A. 

Watch Hill, Rhode Island 41 
CARRIER-BELLEUSE, Pirrre 

Passing the Time 72 
CHURCH, Frepericx Stuart, N.A. 

The Witch’s Daughter 35 

Love Birds 54 


COLMAN, SAMueEL, N.A. 
A Valley in Mexico 27 


CATALOGUE 
NUMBER 


COX. Lows: ANA: 
Little Miss Muffett 4A, 


DE HAVEN, Franxk, A.N.A. 
The Old Apple Tree 55 


DEMONT, AnpRrIEN : 
A Fishing Village in France 50 


DESSAR, Louis Paut, N.A. 
“Logging’’—Early Morning 65 


DEWEY, CuHaries Metvityte, N.A. 


Drifting: A New England Scene, near Essex 
Massachusetts 69 


FULLER, Gerorer, A.N.A. 
Ideal Head eas 


FULLER, Luct Farrcaimnp, ALN. 
The Rose Gown 


iw) 


GELLEE, Criavupr (CLAUDE Lorrain) Attributed to 
A Fete Champétre 19 


GERICAULT, Jzan Lovurs Anprii Tutopore At- 
: tributed to 
Caesar’s Entry into Rome 20 


GROLLERON, Paut L. N. 
Lighting his Pipe 10 
On the Alert 18 


GRUPPE, CuHartes P. 
Late October 29 


CATALOGUE 


NUMBER 

HARPIGNIES, HeEnr1 

Landscape 9 
HASBROUCK, D. F. 

The Woods in Winter FA 
HILL, ArtHur TuRNBULL 

The Lake in Winter 28 
HOWE, Wim H., N.A. 

Autumn at Fontainebleau 23 
HOWLAND, Atrrep C., N.A. 

A Souvenir of France 5 
INNESS, Georce, N.A. 

The Farmhouse 60 
JIMINEZ, Luis 

A Country Idyl oul 
JOHNSON, Eastman, N.A. 

(Piay le a Tune- AT 
JONES, H. Botton, N.A. 

Near Tangiers, Morocco 74 
JONGKIND, Jowan BaArTHOLp. 

Winter in Holland 8 


LA FARGE, Joun, N.A. 
Lady of Shalott 13 
Mount ‘Tohivea 40 


CATALOGUE 
NUMBER 
LEROLLE, Henri 


Returning from the Lavoir 71 


LESREL, A. A. 
Soldier, Period of Louis XIII 17 


LOEB, Louis, N.A. 


The Dreamer 42 


LUCAS, ALBERT P. 
Nocturne 63 


MAYNARD, Grorce WitLoucupsy, N.A. 
Thalassa 31 


MILLAR, Anppison T. 


The Spring 48 
MILLET, Francis D., N.A. 

Spikenard ip 

The Mandolin BF 


MORAN, Tuomas, N.A. | 
Cliffs of Green River, Wyoming 1 


MURPHY, J. Francis, N.A. 
October 6 


NEWMAN, Rosert L. 
The Good Samaritan 36 


OCHTMAN, Leronarp, N.A. 


Harvesting 39 


PICKNELL, Wituiam L., A.N.A. 
Apple Blossoms 66 


RANGER, Henry W., N.A. 
A Nocturne 
Willows 
Sky, Dunes and Sea 
The Spring-hole, Haley’s Woods 
Spring Pastures 
The Swamp Pool 


REID, Rosert, N.A. 


The Violet Kimono 
The Pool 


SARTAIN, WituraM, A.N.A. 


Early Evening 


SHIRLAW, Watter, N.A. 
The Kiss 
The Little Shepherd 


THAULOW, Frits 
Along the Canal 


TWACHTMAN, Joun HEnry 
Under the Iron Pier, Coney Island 


VEDDER, Ein, N.A. 
The Three Fates 


VERBOECKHOVEN, Evucener JoserH 
Goats 


VILLEGAS, Jost 
The Dancer 


CATALOGUE 
NUMBER 


30 


CATALOGUE _ 
NUMBER 


VOLLON, ANTOINE 


View of Dieppe 34 

Still Life AQ 
WALKER, Henry Otiver, N.A. 

Boy and Dove 22 

Young Girl 33 
WAUGH, Frepericx J., N.A. 

Gloucester Docks 538 

A Misty Day, Monhegan 62 


WHISTLER, James Axssotr McNEILL 
“Tatting”’ 16 


WHITTRIDGE, Wortuineton, N.A. 


Indian Encampment 46 


WYANT, ALEXANDER H., N.A. 


An October Landscape 
In the Catskills 


bo 
SO) ee | 


FOR INHERITANCE TAX 


AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


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JEWELS AND PERSONAL EFFECTS OF EVERY 
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NEW YORK 


TELEPHONE, 3346 GRAMERCY 


COMPOSITION, PRESSWORK 
AND BINDING BY | 


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